He went on to discuss how changes were made to the ability of characters to emote as well as visibly breathe in a more human way. Their combined strengths and past experiences benefited the program in the long run. The time they had spent together helped them to collaborate in such a way that the show could take more risks and tackle visual challenges, such as water simulation.
He goes on to explain that the artists had gotten closer with one another, and this experience allowed them to work cohesively in order to improve upon the previous animation design. Related: Ahsoka Should (Finally) Lead The Next Star Wars TV ShowĪround the time of the release of season 3, series creator Dave Filoni offered up some insight into how the presentation of The Clone Wars had evolved with time. Of course, the entire visual aspect of the show was meant to appear embellished in the name of its art direction, but in this case, it was very distracting as the animation department began to cover new ground in the Star Wars universe. Even a densely populated area like Coruscant was lifeless, as the vast majority of the characters looked almost too stylized to be believable beings. The animation was blocky, everything felt very stiff and the world seemed empty. In hindsight, it is easy to see why the first few seasons of The Clone Wars appeared so rough around the edges. While the rationale as to why this change may seem fairly general, there is a little more than meets the eye in this case.
This holds true even in the Star Wars universe, where The Clone Wars got something of a makeover following season 3. With time comes the alteration of the appearance of animated TV shows if not for the sake of freshening the show up, then rather the sake of the program's overall visual aesthetic. Star Wars: The Clone Wars' animation style clearly differs between its third and fourth seasons.
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